How Much Does Social Media Video Cost in South Florida? (2026 Pricing)

Social media video in South Florida runs about $3,200 to $6,500 a month for a full content system. Here is what sets your number and what to skip.

A silver and black 35mm SLR film camera with a lens, resting on a dark surface with its strap coiled behind it.

A full social media video system in South Florida runs about $3,200 to $6,500 a month with us. We are Mile 1 Media, a video production studio in Palm Beach Gardens that builds monthly content systems and one-off shoots for businesses across South Florida. We wrote this because the same question opens almost every discovery call for social content: what a whole month of posting costs, and what sets that number. We shoot and edit this work every week, and the price patterns repeat enough to lay out plainly.

The short answer on social media video pricing

A full social media video system in South Florida runs about $3,200 to $6,500 a month at Mile 1 Media. The number moves with how many shoot days you book each month, how many finished cuts you need from each day, and how often you plan to post. A single social piece costs far less, but the monthly system is what keeps a feed fed without a weekly scramble.

That range is the published figure for our monthly content system, and the full list is on our video production pricing page. Most businesses land in the middle of it once they settle on a cadence they can sustain.

Key facts before you compare quotes

  • The monthly social system runs $3,200 to $6,500 a month, billed monthly, not per clip.
  • One shoot day, filmed well, can feed three to four weeks of short-form cuts.
  • A one-off brand film is a separate line at $3,500 to $8,000. A commercial or ad spot runs $5,000 to $15,000.
  • Drone footage adds $800 to $2,000, and it is an add-on, not a base cost.
  • Price alone tells you little until you read the deliverable count behind it.

What social media video production includes each month

The monthly number reads clearly once you follow the order the work happens in. First the plan and shot list built around what you are selling. Then the shoot day, where we film enough in one visit to cover weeks of posts. Then the edit into finished vertical cuts, then publishing and the read on what performed. That full loop is what social media video production covers when it is priced as a system.

The platform shapes the edit more than most buyers expect. A cut built for Instagram Reels is framed and paced for a fast muted scroll, and we caption it for that feed.

The same idea runs longer and slower on YouTube, where a longer watch is normal, so the hook and the edit change to match.

If you are still deciding what to film, our rundown of the five types of video most South Florida businesses need is a useful map before you book a day.

What drives your monthly number up or down

Two businesses can both post daily and pay very different amounts. Here is the checklist we walk on a scoping call.

  • Shoot days per month. One day covers most feeds. A second doubles crew time and only earns its cost when you post enough to spend the extra footage.
  • Number of finished cuts. Eight cuts and twenty cuts are different edit bills from the same shoot. Editing hours, not camera time, are where most of the money goes.
  • On-camera talent. Filming your own staff keeps cost down. Hired talent, wardrobe, and a second location push it up.
  • Motion graphics. Plain captions are quick. Branded lower-thirds and animated hooks add time to every cut, which compounds across a month.
  • Cadence. Daily posting needs more raw material per shoot than three times a week, which moves you toward the top of the range.

A distribution problem can look like a production problem. Our breakdown of the reasons a video does not get views shows why a bigger shoot rarely fixes a feed no one sees.

Social media video cost table for South Florida

These are our published ranges, useful for checking any quote in Palm Beach County or Broward.

Scope Low Typical High What drives cost
Monthly content system $3,200/mo ~$4,500/mo $6,500/mo Shoot days, cut count, cadence
One-off brand film $3,500 ~$5,500 $8,000 Script, crew size, locations, edit depth
Commercial or ad spot $5,000 ~$9,000 $15,000 Concept, hired talent, versioning for paid media
Aerial or drone add-on $800 ~$1,200 $2,000 Flight time, licensed pilot, permissions
Corporate photography add-on $1,200 ~$1,800 $2,500 Headcount, locations, retouching

Where a commercial video production changes the math

A monthly social system and a commercial are built for different jobs. The monthly system keeps a steady stream of native, feed-first cuts going out. A commercial video production at $5,000 to $15,000 is a single high-polish piece built to carry a paid campaign, with a written concept, hired talent, and versions cut for different placements. They are not interchangeable line items.

The honest split: for consistent presence and proof, the monthly system is the better dollar. For one hero asset behind ad spend on TikTok or paid feeds, the commercial tier earns its cost.

Hidden costs that surprise first-time buyers

Three costs sit outside most quotes. Paid media is the big one. The video is the asset, but reaching people beyond your existing followers on LinkedIn or Meta is a separate budget you control, and a production fee does not include it.

The second is usage and licensing on any music or hired talent, which can carry a renewal if a cut keeps running. The third is your team's time. Someone approves cuts, writes the on-screen offer, and posts on schedule. That hour a week is real, and a system that ignores it stalls by month two.

What a monthly build actually includes

Here is a representative build, not a named client, so you can picture the shape. A med spa in Palm Beach Gardens posts four times a week and wants to build trust through proof instead of discounting. One shoot day a month covers a treatment walk-through, two staff explainers, a room-and-results tour, and quick answers to the questions patients actually ask. From that day we cut roughly a dozen finished vertical pieces, captioned and sized per platform, scheduled across the month.

That build sits near the typical figure above. It works because the shoot is planned against a real offer instead of filmed and sorted later. For the fuller regional picture, our guide to video production cost across South Florida covers the one-off side in depth.

How our video production services are packaged

We package the monthly work as one system, which is why the price is one monthly figure. The pieces fit together on our video production services page, from the shoot day through the monthly read on performance.

Monthly system versus per-project, weighed on time to value

The real tradeoff is consistency and how fast you see a return.

The monthly system fits steady posting and compounding presence at a predictable cost. It falls down when no one on your side posts and approves, and the spend is wasted.

Per-project fits a single launch or a one-time hero asset. It falls down when the feed goes quiet between projects, with restart costs each time.

We ran the full-year math on both in our comparison of a retainer versus per-project over a year, and the answer flips based on how often you publish.

Quotable: The shoot is the cheap part of a monthly system. The edit and the discipline to post every week are what you are really buying.

When a monthly video system is the wrong call

We turn this work down when it will not pay off, because a stalled system is worse than none. A monthly social budget is the wrong spend if no one on your team can own posting and approvals, if you have no offer or proof to build around yet, or if you need a single asset for one launch and nothing after. In those cases a one-off shoot is the honest recommendation, and filming a few pieces on your phone first is sometimes the right move.

Questions to ask any video production company about pricing

  • How many finished cuts per shoot day? A strong answer names a number tied to your cadence. A red flag stays vague on deliverables while quoting a monthly price.
  • What happens to the raw footage? A strong answer explains what you keep and how reshoots work. A red flag treats the footage as theirs with no clarity.
  • Is paid media included or separate? A strong answer separates production from ad spend. A red flag blurs the two so the quote looks bigger.
  • What do you measure each month? A strong answer names watch time, saves, and what drove bookings. A red flag leans on follower counts alone.

Trust band

Written and reviewed by The Mile 1 Media Team, a video production studio based in Palm Beach Gardens, Florida, filming social and brand content for businesses across South Florida. The pricing here reflects our published rates. Last reviewed: August 27, 2026.

Frequently asked questions

Is a monthly system wrong for a brand-new business with no followers?

Often, yes, at least at first. A monthly system pays off when you have an offer, proof points, and someone to post. A brand-new business with none of that usually gets more from one strong brand film and a few self-filmed tests first.

Can we film everything in one day to keep the cost down?

Usually, yes. One well-planned shoot day is the core of most monthly builds and the biggest single lever on cost. If you want daily posting across several formats, one day may not produce enough raw material, and a second day earns its cost.

Does the monthly price include running ads?

No. The monthly figure covers producing and editing the videos. The budget to put those videos in front of new people is separate and stays under your control. We keep the two apart so you can see what production costs and what reach costs.

Is our business too small for this?

Not necessarily, but some are too early. A small business with steady demand and a clear offer can run a lean system near the bottom of the range. A business still testing whether its offer lands is too early, and we will say so.

What if the videos do not perform?

We read performance every month and change the next shoot based on it. Early cuts signal what works in hooks, formats, and offers. If nothing moves after a fair run, the honest call is often a distribution or offer problem, and we point there before selling more shoots.

Related reading

What happens when you call

The one thing to get right first is the offer you are filming against. With that set, the cadence, the cut count, and the budget all fall out of it. A first call with us runs about 20 to 30 minutes.

  1. We ask what you sell, who buys it, and what you want video to do this quarter.
  2. We map a rough monthly cadence and the shoot days it would take to feed it.
  3. We give you a plain number inside the published range, with the deliverable count attached.
  4. You decide with the scope in front of you, no pressure to sign on the call.

When you are ready to price your own system, book a free discovery call and we will scope it against your real offer.

Ready to put video to work for your business?

Mile 1 Media plans, shoots and edits video for South Florida businesses. Tell us what you are trying to achieve and we will map out the shoot.

Book a free discovery call